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・ Stringin' Along with Chet Atkins (1953 album)
・ Stringin' Along with Chet Atkins (1955 album)
・ Stringing machine
・ Stringmansassy
・ Stringmusic
・ Stringocephalus
・ Stringozzi
・ Strings 'n' Stripes
・ Strings (1991 film)
・ String Quartet No. 3 (Tchaikovsky)
・ String Quartet No. 30 (Spohr)
・ String Quartet No. 4
・ String Quartet No. 4 (Babbitt)
・ String Quartet No. 4 (Bartók)
・ String Quartet No. 4 (Beethoven)
String Quartet No. 4 (Carter)
・ String Quartet No. 4 (Dvořák)
・ String Quartet No. 4 (Mendelssohn)
・ String Quartet No. 4 (Nielsen)
・ String Quartet No. 4 (Piston)
・ String Quartet No. 4 (Schubert)
・ String Quartet No. 4 (Shostakovich)
・ String Quartet No. 5
・ String Quartet No. 5 (Babbitt)
・ String Quartet No. 5 (Bartók)
・ String Quartet No. 5 (Beethoven)
・ String Quartet No. 5 (Carter)
・ String Quartet No. 5 (Dvořák)
・ String Quartet No. 5 (Mendelssohn)
・ String Quartet No. 5 (Piston)


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String Quartet No. 4 (Carter) : ウィキペディア英語版
String Quartet No. 4 (Carter)
The Fourth String Quartet by American composer Elliott Carter was composed in 1985–86 in New York and Rome, and completed in June 1986.〔Schiff 1998, 86.〕 It was premiered on September 17, 1986 at Festival Miami, University of Miami, Florida by the Composers String Quartet.〔Schiff 1998, 86; (【引用サイトリンク】title=Elliott Carter String Quartet No.4 )
==Form and content==

In contrast to the collage forms employed by Carter in the 1970s, the Fourth Quartet (similar to the nearly contemporaneous ''Triple Duo'' and ''Penthode'') begins with an opposition of instrumental forces and then moves toward a rhapsodically accelerating finale that draws these opposed instruments into a continuous melodic line.〔Schiff 2001, §5 "Late Works".〕 The quartet can be heard as "an intensifying dispute, accompanied by a rising sense of intoxication".〔Schiff 1998, 89.〕 Each instrument has its own repertory of pitch intervals and its own structural speed. A polyrhythm of 12:126:175:98 governs the structure of the entire composition, usually resulting in rhythmic relations of 8:6:5:7 (the cello plays septuplets nearly all the time).〔Schiff 1998, 88.〕

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